Quick Geography Lesson {Turkey}

by Becky on February 14, 2013

Things I Did Not Know About Turkey 48 Hours Ago:

  • Turkey was the home of Abraham.
  • The final resting place of Noah’s Ark is believed to be in Turkey.
  • Mark Anthony met Cleopatra in Turkey.
  • The Euphrates and Tigris Rivers run through Turkey.
  • Troy was in Turkey.
  • Iran, Iraq, and Syria are some of the countries that border Turkey.
  • Incirlik Air Base is in Turkey.

I now know all of those things.

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Personal Project {Mother and Daughter}

by Becky on February 13, 2013

Now that I’ve accomplished my goal of attaining my certification, I must set a new mark.  The next destination I’ve chosen is PPAs Photographic Craftsman degree:

Awarded for service as an orator, author or mentor. This degree shows that you have gone beyond the creation of images and dedicated your time to move the industry forward and encourage education.

In addition to teaching, to earn the 25 merits required, I am going to start submitting prints in the International Print Competition, and I will need volunteer models for these personal projects.  I’ll be exploring new lighting patterns and set-ups over the next few months.  These sessions will be photographed on my family time, not during my regular studio hours.  Therefore, I have a set of guidelines (more like rules, really) for these sessions.  The first project will be titled “Mother and Daughter”.  I am searching for several mother-daughter pairs, but the following must be adhered to:

  1. You must LOVE my work.
  2. If you have more than one daughter,  we’ll set up multiple sessions – one for each daughter. This project will focus on the bond between each daughter and her mother.
  3. Because my kids and family will be home during these times it is important that I am able to concentrate on just the mom and daughter and not worry about accommodating other guests, so no siblings, dads, grandmas, aunts, etc. may accompany the mother and daughter.
  4. You have to promise to overlook my messy house.
  5. Yes, mom MUST be in the photograph!

Any age is welcome!  If you are interested, please send an email to becky@rebeccawilliamsphotography.com with the subject line, “Mother/Daughter” telling your name, your daughter’s name, and your ages.

These sessions will be photographed throughout the month of March.

A daughter is the happy memories of the past, the joyful moments of the present, and the hope and promise of the future.

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I sat in the hospital bed looking down at the lifeless body resting in the palm of my hand.  Seven inches long.  Not even a pound.  The events leading to this moment were swirling above my head like a giant tornado, but not able to penetrate.  I was strangely present and absent simultaneously.     “Isn’t it peculiar”, I remember thinking, “that humans are capable of feeling the most contradictory of emotions at the same time?”  My heart was filled with joy, anger, hate, and sorrow in amounts not before experienced.  Less than 24 hours before, an ultrasound had revealed that my baby’s heart had stopped beating.  “Are you sure?”  I pleaded with the doctor; certain she’d made a mistake.  Eight hours before, I had checked into Labor and Delivery to be induced, loaded a roll of black and white film into my camera and handed it to my brother in law.  “I don’t want to forget,” I told him. Thirty minutes before, I had been in the throes of transition labor delivering my fourth son.  “He’s so tiny,” The words of almost every new mom.  Stillborn.  What a stupid word, when what we really mean is dead.  My baby was dead.

My world stopped.  Stopped.  There is no other way to describe it.  I didn’t understand how the hands on the clock continued to move.  How my lungs expanded with air.  The nurses unhooked IV’s, checked monitors.   Amazed, I watched the sun rise.  I looked out the hospital window to see cars moving on the highway.  I noticed people scurrying on the sidewalks below, arriving to work.   “What are you doing?!!” I wanted to scream.  “Don’t you know what has happened?  MY BABY IS DEAD!  MY BABY WAS HERE, and now he’s gone!!!!  How can you move on?? Don’t you know?”  But, they didn’t know.  The sun didn’t care.  In the depths of my fog, I knew I had to find a way to move on, too, but I didn’t see how.

I knew there was no way to heal while there was a possibility I would forget my son.  The heartache and sorrow allowed me to remember his face, his feet, his presence.  I couldn’t let go.  I could not.  I didn’t see how my life could continue after Isaac.  I left the hospital, not carrying a car seat, but clutching a teddy bear, and I spent the dark days after creating a scrapbook.  I wrote the entire story over ten pages,  interspersed with the images my brother- in-law had captured:  photos of my sisters gathered around me, my parents huddled in a corner, my baby’s limp feet resting on the tip of my finger;  all in black and white, all full of emotion.  My family wrote poems and letters to Isaac and those were included as well.  I created a memory capsule in that black leather scrapbook.  When I had finished it, I knew I wouldn’t forget.  I could move on to the daily routines of life because I had bottled the overwhelming pain into a book, and with the pain, the memory.  I didn’t have to live in sorrow because my sorrow was waiting for me.  I did not have to be consumed with trying to remember what his tiny face, hands, feet, and ears had looked like – it was all there waiting for me.  I didn’t have to constantly relive the heartache, joy, and anger – some of the only emotions I would have with my fleeting baby – I had secured them all in that book.  Anytime I wanted to remember I could.

My Isaac was born on July 29, 2003.  In the ten years since that day, I have looked at the scrapbook three times.  It’s too much – overpowering, intense, heavy.  But it’s all still there for me.   The images remind me that he was here, that he was real.  He was mine.  I have been able to rebuild my life and continue on because of that book and those images.  It is one of my greatest treasures.

Two years after my Isaac, a mom in Colorado was losing her baby.  She called a local photographer and asked her to come to the hospital and photograph her baby boy – to capture the only professional portraits her baby would ever have made.  Both the photographer and the mom realized what I had realized – these images allow a path to healing not believed possible – and they founded the Now I Lay Me Down To Sleep organization.  NILMDTS bands together professional photographers who volunteer their services to provide remembrance photography to families facing the loss of a baby.    Belonging to this organization has made me aware that, even though I felt so alone holding my stillborn baby, I am not.   Babies are born without heartbeats every day.   In Little Rock alone, sometimes there are over ten calls in a single week.  One week!  It is impossible for the small group of volunteers to cover them all, and sometimes, too frequently, no photographer is available.  Lizzy Yates and Jill Meyer cover most of the calls in Little Rock, volunteering hundreds of hours away from their businesses and families.  In 2012, Jill and Lizzy gave over fifty families a gift with infinite value.     The remaining six volunteer photographers in the Little Rock area, including me, covered less than a quarter the number of Jill and Lizzy.  Lizzy and Jill have growing businesses, growing kids, and busy families.  It is unrealistic to expect that they will be able to volunteer at the pace they have been, and as the two of them are unable to cover, more families will be told that there is not a photographer available.   More help is needed.  If you are a professional photographer, I implore you to consider volunteering for NILMDTS, wherever you live.  Yes, it’s difficult.  No, you don’t think you can do it.  But you will.  There is not a more selfless act than volunteering with NILMDTS.  There is no glory, no accolades, your work will not win awards or be published.  However, your work will provide an alcove in a mother’s heart.  In this alcove she will put her heartache, her joy, her anger, her loss.  Your work will keep her memories safe, and will provide a path to healing.  She may not look at the images often – or ever, and when she does, she will cry.  But, then, she’ll put them away and fix dinner for the older kids.  She’ll go to the grocery store.  She’ll enjoy a sunrise.  Because of your work, she will have the gift of life after loss.

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Rebecca Williams, CPP

by Becky on February 6, 2013

Requirement to be a photographer:

Own a camera.

Training?  No.  Education? No.  Knowledge?  No.  Scary?  Yes.

When I entered the world of professional photography it was because I was angry.  I’d had a horrible experience, realized that I knew more and had better equipment than the person with a camera I’d paid, and wanted to save others from the same bad feelings.  I thought I knew everything, but the longer I was in the profession the more I realized that I didn’t know, and I quickly began to see the professional photography industry as more than just me.   In awe of truly great photography, I was at a crossroads.  Either I had to set a higher bar for myself and my studio, or I had to quit.  I decided to give it all I had.

I restructured my business and the way I interacted with clients.  I threw myself into learning everything I could.  Workshops, books, blogs, conventions, classes; I did them all.  Finally, I was ready for the finale – certification.  Naturally, because my knowledge had so vastly increased, I thought certification would be a piece of cake.  I was so WRONG!  Certification proved to be a new learning experience for me.  I had to take everything I practice daily and learn the theory and the “why” and the science behind it.  When I first opened the book, I knew it was going to be a long haul.  I’m a great test taker, and I could have just crammed a bunch of facts into my head, but I truly wanted to learn.  It is fascinating to me that I can look at a real world scene and make it appear in a completely different light with a “light box”.  It took me over a year to think myself ready to sit for the 100 question exam.

During this time, I also had to submit 15 images representing my work, to be reviewed by a panel of judges.  Culling through all of my images from the past 24 months, I chose the ones which had made parents laugh or cry.  Images which had been ordered as large wall portraits for the home;  images capturing emotions or moments that showed personalities.  I submitted them.  I failed.    Devastated, tears streamed from my eyes.  My very encouraging husband comforted, “You don’t need someone else to tell you what is good and what is not.”  My 10-year old son incredulously exclaimed, “They just don’t know what good photography is!”  Again, I was at a crossroads.  My family was right – my clients loved my work and that’s what mattered.  Maybe I didn’t really need to be certified.  Potential clients could see that I knew what I was doing, so why did the opinion of some old dudes matter?  Did I really need a stamp to tell me I was a professional?

That’s when it hit me.  I didn’t need them to tell me I was a professional, but neither did the other 300 photographers operating in a 2 mile radius of my home and charging a fraction of my price list.  What reassurance did my clients have that I was worth the extra money?  I homeshool my kids and that’s no secret.  I know that when I tell people I’m a professional photographer and that I homeschool, they struggle to believe it’s possible to do it all.  Many (not you, of course) see me as just another mom with a fancy camera.  I needed certification to set myself apart, to tell potential clients that not only am I worth my prices, but that I am also dedicated to my industry, my craft, and my education.  So, I set back to work, culling through images.  This time however, after a feedback session from a CPP judge, I looked for images that displayed technical excellence; perfect lighting, correct posing, color harmony, artistic composition – rules older than the invention of photography.  I remember pulling the envelope with the Certification return address out of the mailbox.  My heart started thumping, and I had to regulate my breathing as I slowly removed the one page letter.  “The Profession Photographic Commission would like to extend our congratulations…”.  Again, tears fell from my eyes.  Only one more step.

I scheduled myself for the exam at ImagingUSA, the Professional Photographers of America’s annual conference.  As insurance, I also enrolled in the CPP Prep class before the convention.  Although I did learn a few new photographic terms in the class, it was very reassuring as I sat there to know that most of what the instructor was teaching was review for me.  Before the class, I was pretty sure I’d pass the exam.  After the class, and the OUTSTANDING study group I was blessed with, I was confident.

The big day arrived.  I sat down with sweaty palms and waited for the proctor to read her instructions and say, “Go!”.  The exam was more challenging than I’d expected, but after repackaging my test booklet and scan tron form and leaving the exam room, I felt that I’d passed.  I smiled for probably the first time in days.  Just about a week later, I received an email (I was in Disney World) that I’d passed the exam.  Two days after that, my profile on the PPA website was updated, and my name now had a CPP after it.  Years of hard work, dedication, and perseverance had paid off.  I allowed myself to rejoice out loud for a few moments, and yes, I cried again.  It’s what I do.

Certified Professional Photographer

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Photography Tips {Rule of Thirds}

by Becky on January 26, 2013

This one is quick and easy to remember – the rule of thirds!  This ancient rule isn’t specific to photography; if you study the master painters of old, you’ll see this compositional rule put in to practice.  The rule of thirds is simply – “Put your subject on one of the thirds of your frame – not the center.”  Imagine a grid on your viewfinder, dividing your view into 9 parts, put your subject on one of those lines.  If your image is a close up, put the subject’s eye on one of the intersecting points.

Compose your subject “on the thirds”.

Composing in this manner creates more interest in the image, causing the viewer to wonder what’s going on and ask more questions.  To ponder.

“Oh look, it’s a wine glass.”

“Oh, look. It’s a wine glass… but wait, what’s happening over there behind it? Is an ax murderer going to pop out? Where is the freaky purple light coming from? Why didn’t she photoshop out those wrinkles? This is not the same angle as the other shot, which I’m pretty sure invalidates this tip.”

See?  More “wonder”. :)

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